Visual Rhetoric in Early Buddhist Art of India
About the Book
Visual rhetoric in Early Buddhist Art of India Critically Examines the Rhetorical Strategies embedded in early buddhist visual culture, with a focus on Representation, Materiality, and power Analyzing artefacts From major archeological sites such as Sanchi, Bharhut and Amravati, the study employs a Multidisciplinary Framework that combines visual rhetoric Semiotics and Communication theory. It explores how visual forms articulated Buddhist Doctrines, fostered communal identities and mediated Socio-Political Authority. By Integrating art Historical methods with communication theory, the book situates these visual narratives within their broader Socio-Cultural and Historical Contexts, Emphasizing the role of visual communication in Religious instruction and Social Organization.
About the Book
Visual rhetoric in Early Buddhist Art of India Critically Examines the Rhetorical Strategies embedded in early buddhist visual culture, with a focus on Representation, Materiality, and power Analyzing artefacts From major archeological sites such as Sanchi, Bharhut and Amravati, the study employs a Multidisciplinary Framework that combines visual rhetoric Semiotics and Communication theory. It explores how visual forms articulated Buddhist Doctrines, fostered communal identities and mediated Socio-Political Authority. By Integrating art Historical methods with communication theory, the book situates these visual narratives within their broader Socio-Cultural and Historical Contexts, Emphasizing the role of visual communication in Religious instruction and Social Organization.
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About the Book
Visual rhetoric in Early Buddhist Art of India Critically Examines the Rhetorical Strategies embedded in early buddhist visual culture, with a focus on Representation, Materiality, and power Analyzing artefacts From major archeological sites such as Sanchi, Bharhut and Amravati, the study employs a Multidisciplinary Framework that combines visual rhetoric Semiotics and Communication theory. It explores how visual forms articulated Buddhist Doctrines, fostered communal identities and mediated Socio-Political Authority. By Integrating art Historical methods with communication theory, the book situates these visual narratives within their broader Socio-Cultural and Historical Contexts, Emphasizing the role of visual communication in Religious instruction and Social Organization.
